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Which of the following statements is true? a. the habanera is a dance with Cuban, French, and African influences b. the habanera is a style of which of the following is all true about Palestrina's Pope Marcellus Mass a. it is polyphonic; it was written in the 16th century; it is a cappella. b. it is...Q: Which of the following expressions came form the name of the position that Minamoto no Yoshitsune held? Q: Who is this woman, drawn as the High Priestess in most tarot decks? A: Pope Joan. Q: Which of the following statements are true of this organism? A: It's not related to crabs.Type: Multiple Choice Points Awarded: 1/1 Question 5:Why is Palestrina's Pope Marcellus Mass so important to the history of religious music? Type: Multiple Choice Points Awarded: 1/1 Question 6:Which of the following is true of the Council of Trent?Trending News. Trump threatens defense bill over social media rule. Ex-NFL lineman unrecognizable following extreme weight loss.Palestrina: Pope Marcellus Mass. Author. Giovanni Pierluigi da Palestrina (c. 1525-1594, Italian). worked as an organist and choirmaster at various churches, including St frequent splitting and recombining of the 6 voices into groups. text is Latin. very "clean"; never strays too far from polyphony.

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Palestrina's Pope Marcellus Mass has SIX VOCAL PARTS, whereas Josquin's Ave Maria Motet has only 4. The Palestrina "sounds fuller" because it Palestrina was the Vatican's composer during the period immediately following the Council of Trent, and he followed their advice in his compositions.Pope Marcellus Mass book. Read reviews from world's largest community for readers. A score embodying the best available musical text.Historical Historical background--what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.Pope Marcellus Mass is a brilliant piece written by Giovanni Pierluigi da Palestrina, and was published in 1567. This piece served in the mass as a Gloria, or the second main piece in the Catholic Mass Ordinary, and is scored for six voices. The piece is notable for its relatively complex use of polyphony...Which of the following statements about regularization are true? Check all that apply.??? Consider a classification problem. Adding regularization may cause your classifier to incorrectly classify some training examples (which it had correctly classified when not using regularization, i.e. when 0λ=0).

Listen to the Gloria from Palestrinas Pope Marcellus Mass What...

1. Among Palestrina's Masses, the Pope Marcellus Mass was among a small number that did not include what? One of the most notable features in the music of Palestrina is a technique called "recovered leaps" which are upward leaps that are followed by stepwise descending motion.5. A cell that has 20 chromosomes undergoes mitosis. Which of the following is true? two daughter cells will be created, each have 20 chromosomes 8. Which of the following can be determined from a karyotype? the sex of the individual whether the individual has Down Syndrome The number of...Palestrina's Pope Marcellus Mass was written to show that classical counterpoint and clarity of text setting could live together, and thus Palestrina It has been the tradition to characterize Palestrina as a conservative composer, primarily because one does not find in his music some of the mannerisms...01:38. Explanation: Palestrina's Pope Marcellus Mass is among the well-known masses of Giovanni Pierluigi da Palestrina. Palestrina composed more than 100 masses and were published in 1560s. They are known for the interplay lines and the intricate and melodious choral music involved in the work.Palestrina, Giovanni Pierluigi da, 1525?-1594, Masses, Unaccompanied. Bibliography: p. 141-142. Introduction -- Backgrounds and sources -- Score of the Mass -- History and Analysis -- Views and Comments. Access-restricted-item. true. Addeddate.

For 6 voices, unacc

Bibliography: p. 141-142

Introduction -- Backgrounds and sources -- Score of the Mass -- History and Analysis -- Views and Comments

Includes a history and research through Lewis Lockwood and Knud Jeppesen along with views and comments from Giovanni Battista Martini, E.T.A. Hoffmann, Richarch Wagner, August Wilhelm Ambros, and Giuseppe Verdi